Difference between revisions of "1977-08-10"
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! colspan="2" | <big>The Police record with John Cale at Pathway Studios</big> | ! colspan="2" | <big>The Police record with John Cale at Pathway Studios</big> | ||
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| − | | colspan="2" align="center" | [[Image: | + | | colspan="2" align="center" | [[Image:Stub.gif|thumb|center|Photo or image related to event]] |
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| − | sources: [[Stewart Copeland]]'s diary, Police File No.16, [[L'Historia Bandido]], [[Henry Padovani]], | + | sources: [[Stewart Copeland]]'s diary, Police File No.16, [[L'Historia Bandido]], [[Henry Padovani]], personal information |
Revision as of 21:41, 27 April 2014
| The Police record with John Cale at Pathway Studios | |
|---|---|
| Date: | 1977-08-10 |
| Location: | London, England, UK - Pathway Studios |
| Attendees: | The Police, John Cale |
The Police record at Pathway Studios again - this time with John Cale as producer. They recorded an early version of Dead End Job with alternate lyrics and arrangement, plus two vocal takes of Visions Of The Night - a combination of those 2 vocal takes were later used on the Walking On The Moon 7"-single.
Vocal Take 1 featured alternate lyrics, whilst Vocal Take 2 featured the same lyrics as the authourised version. Both versions also featured a guitar solo right at the begining of both vocal takes, but was later removed when it appeared as a B-side to the 1979 7"-single.
John Cale was drunk and reading the papers most of the time. Sting was quite upset...
John didn't like Andy Summers - so he wanted Henry Padovani to do the guitar solos which Andy didn't accept.. In the end John said that Andy should do the solos with Henry's guitar.
See also
This section needs more information.
External links
This section needs more information.
References
sources: Stewart Copeland's diary, Police File No.16, L'Historia Bandido, Henry Padovani, personal information
