Difference between revisions of "1977-01-22"
| Line 32: | Line 32: | ||
|- style="background-color: #f9f9f9;" | |- style="background-color: #f9f9f9;" | ||
| <b>Tour:</b> | | <b>Tour:</b> | ||
| − | | | + | | [[1974-1977 Last Exit performances]] |
|- style="background-color: #f9f9f9;" | |- style="background-color: #f9f9f9;" | ||
| <b>Venue:</b> | | <b>Venue:</b> | ||
| Line 72: | Line 72: | ||
sources: [[Lawrence Impey]]; ad in NME - January 22, 1977; review in Melody Maker - January 29, 1977 | sources: [[Lawrence Impey]]; ad in NME - January 22, 1977; review in Melody Maker - January 29, 1977 | ||
| − | [[Category:1977]] | + | [[Category:1977]] [[Category:1974-1977 Last Exit performances]] |
Revision as of 07:41, 6 November 2008
| 1977-01-22 | |
|---|---|
| |
| photo copyright Lawrence Impey | |
| |
| photographer Lawrence Impey's diary entry | |
| |
| an ad for this concert in NME - January 22, 1977 | |
| Performance summary | |
| Artist performing: | Kevin Coyne |
| Tour: | 1974-1977 Last Exit performances |
| Venue: | London School of Economics |
| Location: | London, UK |
| Support acts: | Last Exit, John Stevens' Away, Bert Jansch |
| Ticket prices: | UK pounds: 1,00 - 1,20 |
On 1977-01-22, The Police had their first ever photo session with photographer Lawrence Impey on the roof of Stewart Copeland's Mayfair flat (#26 Green Street).
On 1977-01-22, Last Exit performed at the London School of Economics.
Setlist
This section needs more information.
Recording information
This section needs more information. Please note if an official or unofficial recording, or recording(s), is known to exists of this performance.
Trivia
Lawrence Impey made a note of the photo appointment with Stewart in his diary. Contact sheets from the rooftop photos have JAN77 date written on them.
The Reggatta de Tour program (Tour programs (The Police)) mentions the date January 23 for this, but the dates in this program are not 100% accurate...
See also
This section needs more information.
External links
This section needs more information.
References
sources: Lawrence Impey; ad in NME - January 22, 1977; review in Melody Maker - January 29, 1977
