End of the Line

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called most recent scoring project in 1987-09 Music & Sound Output

He worked at his home studio in London with a Fairlight CMI Series III using a setup with a U-matic video deck, a Sony monitor and a Q-Lock synchronizer worked on a Fostex 16-track, later transferring the tracks onto a 24-track machine

Andy played 42 different musical cues for the movie featuring a single, distinctive synth timbre and a slide guitar Andy played an arpeggio pattern in D major then he played another arpeggio in Bb a few strings were improvised on top of that + a slide Dobro