Difference between revisions of "End of the Line"
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| + | called most recent scoring project in [[1987-09 Music & Sound Output]] | ||
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| + | He worked at his home studio in London with a Fairlight CMI Series III | ||
| + | using a setup with a U-matic video deck, a Sony monitor and a Q-Lock synchronizer | ||
| + | worked on a Fostex 16-track, later transferring the tracks onto a 24-track machine | ||
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[[Category:Film scores (Andy Summers)]][[Category:Soundtracks (Andy Summers)]] | [[Category:Film scores (Andy Summers)]][[Category:Soundtracks (Andy Summers)]] | ||
Revision as of 04:51, 29 March 2012
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called most recent scoring project in 1987-09 Music & Sound Output
He worked at his home studio in London with a Fairlight CMI Series III using a setup with a U-matic video deck, a Sony monitor and a Q-Lock synchronizer worked on a Fostex 16-track, later transferring the tracks onto a 24-track machine
