Difference between revisions of "Omegaman"
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"The first thing I had done was to go in and play a very nice Larry Carlton type solo with the 335 - it ws very nice, but for [[The Police]] it was a little bit too.... derivative sounding, a little bit too straight. So I started again with the Multivox effects plugged up and I had the Roland guitar synth going through them. The Duet on the synth was switched to a minor second apart, which is pretty excruciating (laughs), through a fuzz and something, and it just sounded incredible! I could see their hair standing on end in the control room, they couldn't believe this fucking sound that was coming over! And I was having great fun, in hysterics, it was like ten cats being strangled. | "The first thing I had done was to go in and play a very nice Larry Carlton type solo with the 335 - it ws very nice, but for [[The Police]] it was a little bit too.... derivative sounding, a little bit too straight. So I started again with the Multivox effects plugged up and I had the Roland guitar synth going through them. The Duet on the synth was switched to a minor second apart, which is pretty excruciating (laughs), through a fuzz and something, and it just sounded incredible! I could see their hair standing on end in the control room, they couldn't believe this fucking sound that was coming over! And I was having great fun, in hysterics, it was like ten cats being strangled. | ||
So I thought it was really exciting, and I did it, and they're going, "Yeah, yeah..." like a couple of roadies were in the studio. And Hugh was saying, "Yeah, pretty heavy.". | So I thought it was really exciting, and I did it, and they're going, "Yeah, yeah..." like a couple of roadies were in the studio. And Hugh was saying, "Yeah, pretty heavy.". | ||
| + | |||
Course, finally Stewart and [[Sting]] came in, and there was dead silence, and they didn't like it. It was a bit too heavy for them. I was a bit disgruntled, but.... so I went back. I started again and found a figure that really worked. So I sort of used the same sound, but I returned the guitar synth to fifths, I think, played the figure on the end, and it worked really nicely with a normal electric guitar playing the figure and the guitar synth. That went down a little better, I s'pose it fitted the track a bit better. Not quite as hairy as the other one. | Course, finally Stewart and [[Sting]] came in, and there was dead silence, and they didn't like it. It was a bit too heavy for them. I was a bit disgruntled, but.... so I went back. I started again and found a figure that really worked. So I sort of used the same sound, but I returned the guitar synth to fifths, I think, played the figure on the end, and it worked really nicely with a normal electric guitar playing the figure and the guitar synth. That went down a little better, I s'pose it fitted the track a bit better. Not quite as hairy as the other one. | ||
| + | |||
That's the first time I actually used guitar synth for a solo. Personaly, for me, I don't really use it as a solo instrument playing lead solos, I like it as a chordal thing, like great sheets of sound. I really enjoy using it that way. Like there's an introduction to a song called [[Secret Journey]], there's about a minute and a half of just guitar synth on it, I'm playing long chords, strange chords, it was fun to do that. There's a whole section in the middle of that with the guitar synth, too. | That's the first time I actually used guitar synth for a solo. Personaly, for me, I don't really use it as a solo instrument playing lead solos, I like it as a chordal thing, like great sheets of sound. I really enjoy using it that way. Like there's an introduction to a song called [[Secret Journey]], there's about a minute and a half of just guitar synth on it, I'm playing long chords, strange chords, it was fun to do that. There's a whole section in the middle of that with the guitar synth, too. | ||
| + | |||
Into the intro to [[Secret Journey]] I'm playing these strange chords, with the synth tuned in fifths, and you get this sound, with echo and chorus on it. And also, against that I played some very weird stuff on a Strat, so you get this great sort of cloud effect untill the riff actually starts coming in, the riff sort of fades up through it and then the song starts. Then it shuts off (claps hands) like that in the middle and then you get wahhhhhhhhhhh.. the sound of the Himalayas comes in. It's good." | Into the intro to [[Secret Journey]] I'm playing these strange chords, with the synth tuned in fifths, and you get this sound, with echo and chorus on it. And also, against that I played some very weird stuff on a Strat, so you get this great sort of cloud effect untill the riff actually starts coming in, the riff sort of fades up through it and then the song starts. Then it shuts off (claps hands) like that in the middle and then you get wahhhhhhhhhhh.. the sound of the Himalayas comes in. It's good." | ||
Revision as of 02:38, 30 October 2008
| "Omegaman" | |
|---|---|
| Recorded by The Police | |
| Released: | YYYY |
| Recorded: | 1981 |
| Length: | SONG LENGTH |
| Album(s): | Ghost In The Machine |
| Label(s): | RECORD LABEL |
| Writer(s): | Andy Summers |
| Producer(s): | PRODUCER NAME(S) |
| Studio(s): | RECORDING STUDIO(S) |
| Released as single? | YES, B-SIDE, or NO |
"Omegaman" is a song written by Andy Summers and recorded by The Police in 1981.
Contents
About the song
This section needs more information.
Personnel
This section needs more information.
Release History
Albums
Song appears on the following album releases:
| Cover art | Album title | Release date | Release country |
|---|---|---|---|
|
Album date | YYYY-MM-DD | Country |
Singles
CD Singles
| Cover art | Catalog no. | Songs | Release date | Release country |
|---|---|---|---|---|
|
|
Catalog no. | "Song"(s) | YYYY-MM-DD | Country |
7" Singles
| Cover art | Catalog no. | A-side song/B-side song | Release date | Release country |
|---|---|---|---|---|
|
|
Catalog no. | "A-side song"/"B-side song" | YYYY-MM-DD | Country |
12" Singles
| Cover art | Catalog no. | A-side song(s)/B-side song(s) | Release date | Release country |
|---|---|---|---|---|
|
|
Catalog no. | "A-side song"/"B-side song" (add more songs as necessary) | 1979-12-01 | Country |
Video
"SONG TITLE" appears on the following video and dvd releases:
| Cover art | Video title | Release date | Release country |
|---|---|---|---|
|
|
Video or dvd title | YYYY-MM-DD | Country |
Awards, nominations, and certifications
Awards
This section needs more information.
| Year | Winner | Award | Category |
|---|---|---|---|
| YYYY | WINNER (album, song, producer, etc.) | AWARD (Grammy, People's Choice, etc.) | CATEGORY |
Nominations
This section needs more information.
| Year | Nominee | Award | Category |
|---|---|---|---|
| YYYY | NOMINEE (album, song, producer, etc.) | AWARD (Grammy, People's Choice, etc.) | CATEGORY |
Certifications
This section needs more information.
| Country | Certifier | Classification | Certification |
|---|---|---|---|
| COUNTRY | CERTIFIER (RIAA, IFPI...) | CLASSIFICATION (Album, singles, foreign artist...) | CERTIFICATION (Gold, Platinum, Diamond...) |
Lyrics
The night came down, jungle sounds were in my ears City screams are all I've heard in twenty years The razor's edge of night, it cuts into my sleep I sit upon the edge now Shall I make that leap I'm the Omegaman I'm the Omegaman The sky's alive with turned on television sets I walk the streets and seek another vision yet The echo makes me turn to see that last frontier The edge of time closes down as I disappear I'm the Omegaman I'm the Omegaman I'm the Omegaman I'm the Omegaman Always talking to myself The time that's best is when surroundings fade away The presence of another world comes close to me It's time for me to throw away this paper knife I'm not alone in reaching for a perfect life I'm the Omegaman I'm the Omegaman I'm the Omegaman I'm the Omegaman I'm so tired Of the Omegaman
Quotations and trivia
In Music U.K. from October 1981 Andy Summers talks about the guitar solo in that song:
"The first thing I had done was to go in and play a very nice Larry Carlton type solo with the 335 - it ws very nice, but for The Police it was a little bit too.... derivative sounding, a little bit too straight. So I started again with the Multivox effects plugged up and I had the Roland guitar synth going through them. The Duet on the synth was switched to a minor second apart, which is pretty excruciating (laughs), through a fuzz and something, and it just sounded incredible! I could see their hair standing on end in the control room, they couldn't believe this fucking sound that was coming over! And I was having great fun, in hysterics, it was like ten cats being strangled. So I thought it was really exciting, and I did it, and they're going, "Yeah, yeah..." like a couple of roadies were in the studio. And Hugh was saying, "Yeah, pretty heavy.".
Course, finally Stewart and Sting came in, and there was dead silence, and they didn't like it. It was a bit too heavy for them. I was a bit disgruntled, but.... so I went back. I started again and found a figure that really worked. So I sort of used the same sound, but I returned the guitar synth to fifths, I think, played the figure on the end, and it worked really nicely with a normal electric guitar playing the figure and the guitar synth. That went down a little better, I s'pose it fitted the track a bit better. Not quite as hairy as the other one.
That's the first time I actually used guitar synth for a solo. Personaly, for me, I don't really use it as a solo instrument playing lead solos, I like it as a chordal thing, like great sheets of sound. I really enjoy using it that way. Like there's an introduction to a song called Secret Journey, there's about a minute and a half of just guitar synth on it, I'm playing long chords, strange chords, it was fun to do that. There's a whole section in the middle of that with the guitar synth, too.
Into the intro to Secret Journey I'm playing these strange chords, with the synth tuned in fifths, and you get this sound, with echo and chorus on it. And also, against that I played some very weird stuff on a Strat, so you get this great sort of cloud effect untill the riff actually starts coming in, the riff sort of fades up through it and then the song starts. Then it shuts off (claps hands) like that in the middle and then you get wahhhhhhhhhhh.. the sound of the Himalayas comes in. It's good."
Alternative and cover versions
This section needs more information.
See also
This section needs more information.
External links
This section needs more information.
References
- Police, The. Ghost In The Machine. (1981) [Audio recording], A&M Records.
