Difference between revisions of "End of the Line"
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| + | called most recent scoring project in [[1987-09 Music & Sound Output]] | ||
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| + | He worked at his home studio in London with a Fairlight CMI Series III | ||
| + | using a setup with a U-matic video deck, a Sony monitor and a Q-Lock synchronizer | ||
| + | worked on a Fostex 16-track, later transferring the tracks onto a 24-track machine | ||
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| + | Andy played 42 different musical cues for the movie | ||
| + | featuring a single, distinctive synth timbre and a slide guitar | ||
| + | Andy played an arpeggio pattern in D major | ||
| + | then he played another arpeggio in Bb | ||
| + | a few strings were improvised on top of that + a slide Dobro | ||
[[Category:Film scores (Andy Summers)]][[Category:Soundtracks (Andy Summers)]] | [[Category:Film scores (Andy Summers)]][[Category:Soundtracks (Andy Summers)]] | ||
Latest revision as of 04:54, 29 March 2012
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called most recent scoring project in 1987-09 Music & Sound Output
He worked at his home studio in London with a Fairlight CMI Series III using a setup with a U-matic video deck, a Sony monitor and a Q-Lock synchronizer worked on a Fostex 16-track, later transferring the tracks onto a 24-track machine
Andy played 42 different musical cues for the movie featuring a single, distinctive synth timbre and a slide guitar Andy played an arpeggio pattern in D major then he played another arpeggio in Bb a few strings were improvised on top of that + a slide Dobro
